![]() ![]() After that I go through and thumb nail out the panel configuration for each page. MD: First thing is do is completely read the script without interruption. So I gave their faces just a bit more of a cartoon look while still being able to make them look realistic.īC: What is your artistic process? What are the steps you take from getting the script to turning in the final pages? The success of the story hinged on being able to correctly convey the emotions of the dogs so it was important that I got it right. William Christensen and Garth suggested they look more anthropomorphic. It was very difficult at first to convey their expressions,we didn't want the dogs to look animated, and we wanted a more lifelike interpretation of them. ![]() ![]() As I got farther into the stories I was able to use my own dog's movements and transfer then onto the characters in the series. At first there was a lot of photo reference because of the 3 different breeds that were involved. I am a dog lover so it really came easy to me. MD: Approaching the canine characters in this story was no different than how I approach any other characters. BC: How did you approach a story with canine lead characters? Was there a lot of photo reference or did you handle them like any other character? How do you get so many facial expressions out of the dogs? ![]()
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